In my Diorama Dos and Don'ts section, I mention getting your friends and families involved in the diorama process, if they are willing. This is because I've been amazed at how people have opened up to my hobby when they finally figure out what it is I'm doing.

It was actually my friend, Mary, who got got me started on dioramas.  She had seen my collection of Barbie size furniture and goodies, and my 7 foot tall Barbie house, and heard my complaints about being unable to fit more than a small part of my collection in the house.  She had also seen dioramas on the internet, so she suggested I look them up and, lo and behold, I was hooked!  Mary had no 11 1/2 inch dolls, but she was interested and now has two Poppies, a Lilith and a Momoko- and I see others in her future!

When I was setting up the 7 rooms for the Grandville Library Display  and got overwhelmed, it was Mary who came to my rescue.  She had never done dioramas before, but as we worked on it, she really got into it and was tremendously helpful with her ideas and suggestions.

And then there are my friends, Rick and Linda.  Linda has never played with or owned a Barbie, but like a lot of people, she is fascinated by small objects that look like large ones.  When she saw the little rooms on my website, she was delighted.  I was just as delighted to have her like them.  We started talking about what I was doing and a whole wonderful dialogue has come about.

Linda is one of the most creative people I have ever known and she began making suggestions and giving me ideas almost faster than I could absorb them.  When we talked the other night, I told her I was having trouble finding plants and miniature ivy for a diorama I was working on, she suggested using live plants when possible.  When I stopped at her house the next day, she had a row of lovely little floral arrangements sitting in her window sill to show me how it could be done.  They were all in little containers she had found around her house and were done with the flair and style she brings to all her creations.

Meanwhile, her husband Rick, had stopped by a place that makes signs and saw that they were discarding a number of signs printed on foam core (foam board.)  The one above was the one that caught his eye.  He has probably not done more than glance at my website, but he remembered that I did something with Barbies and thought I might be able to use the sign and also the foam core.  (The sign will hang in my doll room, of course.)  So he got permission to take it home and brought me the whole pile.  As anyone knows who has read my Diorama 101 course, I use foam core a lot.  This was wonderful quality stuff.  It all has signs on one side and is white on the other.  The pieces are about 1 1/2 X 4 feet, making it perfect for Barbie rooms.  I thought this act of kindness was above and beyond the call of duty!

My daughters, who stopped playing with Barbies when they were 11 or 12, have started showing interest in the dolls and furniture again.  Katie especially has been tremendously helpful in papering the Big Doll House that they used to play with when they were kids, and helping me set up the Grandville Library Display.

Recently, one of my daughters' friends, a college student who had seen some of my dioramas, showed up with some wallpaper border.  He'd seen it at a garage sale and thought it might work for my dioramas.

All this is really just to show that when people, who started out thinking you are a little crazy, begin to understand what you are doing they will get excited about it, too.  They may never feel quite the passion for your dolls that you do, but you may find that you have acquired a whole new set of helpers and confidants to share your joy with.

By the way, when I was visiting Linda I gave her a fashion doll because she'd never had one.  She called yesterday to tell me she'd set up her first diorama!!

When I first put this heater in my family room, I thought I would have lovely knick knacks and decorations on it and, possibly, some seasonal displays.  No such luck!  It was commandeered almost immediately by the dolls for the display of new, incoming goodies.  Whatever I brought home seemed to end up on the mantle where all of us could enjoy it.

I know that a lot of people leave their new purchases in the boxes and store them, but I am a mad deboxer and have to get out almost every new doll and play with it.  I also constantly bring home used items which I sometimes refurbish and sometimes use as is.  Most of this goes on the mantle for at least a few days or a week.

The display I have right now is a lot more coordinated, and much simpler, than some I've had.  Sometimes it is a hodge podge of unrelated items. 

The display shown here happened because I bought (another!) couch from Van's Doll Treasures.  Then I got some pillows from Amber of Bashette Iron Works.  I took the back cushions off the couch and put in those Amber had made, for a different look. (Love Vanessa's couches because they are so versatile!) I had also just found the two new tables- the brass one on the right and the curved one on the left- at a thrift shop.  The vase was a garage sale find from last week.  The outfit on the doll is new (used) clothing as well.  The china cabinet on the left is a Bespaq piece from a while back that I ordered and then stuck in my bedroom where I promptly buried the box in a pile of books.  When I was cleaning a few days ago, I found it and brought it out so we could admire it.  The doll, the clock and the rug, I already had.

This mantle is one of the most fun things in my house.  The displays, which consist of whatever I just dragged home, morph constantly without a plan of any sort.  Anyone in the family, or even friends who wander in, can move things around or add things.  My friends, and my daughters' friends, always check to see what's new when they come over.  I have several diorama displays around my house, subtly placed in bookcases or on the tops of furniture, but they were planned and only change occasionally.

Those on the mantle are all spontaneous.  The girls and I just put together groupings or mini dios out of whatever is new, sometimes adding in an older piece, as I did the clock above, to finish the look.  Sometimes the things I drag home are pretty wild and those make really fun dioramas, though occasionally they have to be taken down when company comes over.  The one with the statue of a semi-naked Greek guy wrestling someone, disturbed everyone for some reason; though I thought it was a great, really classic piece of sculpture (and I have every intention of using it in a diorama, somehow!)

Anyway, I gave up on the plans I had for the mantle and am really enjoying the constantly changing displays that keep happening.  You may be seeing more pictures of these, since I have decided that many of the groupings we've made should have been recorded, whether for beauty or weirdness, and shared with other doll lovers.  The one I photographed here was rather classy and very simple, but who knows what it will look like by the end of the week.  It is, after all, garage sale season!

Today's blog is a book review of my all time favorite decorating book, Diana Phipp's "Affordable Splendor", because I think the book will be so helpful to people who want to make dioramas, as well as to those who are just interested in decorating on a budget.

Ms. Sternberg Phipps (who is, by the way, a countess, but prefers not to use the title) was a designer who was featured in a number of famous decorating magazines, including "Arhitectural Digest," the creme de la creme of the industry.  She wrote this book, whose subtitle is: " An Ingenious Guide to Decorating Elegantly, Inexpensively and Doing Most of it Yourself," because she loved beautiful old rooms, richly furnished, but was unable to afford them after the communists seized her families estates in Czechoslovakia.  When she developed a reputation for her wonderful rooms and gift as a decorator, she wanted to make it possible for the average person to create the sort of rooms she created, at a price that anyone could afford.

I picked up the book very cheaply, quite a few years ago, from a display table of bargain books at Schuler's.  I don't know what I expected, but as I started to read it, I really fell in love with this book. At first I was appalled at the things this woman did to create her rooms.  I had always pictured those rooms in Architectural Digest as having been created by a designer with an entire crew of professional painters, builders, upholsterers, cabinet makers, etc., at his disposal.  Not to mention all the furniture purchased at antique shops or "To the Trade Only" shops and galleries.  But here is Ms. Phipps creating her fabulous rooms with glue, plywood, staple guns and cast off couches she has re-covered herself!

Once I got past the shock, I was delighted!  Here was a woman after my own heart.  Who says you have to do things the right way?  Why not just upholster over the upholstery that's already there?  If you don't like the color of the piping, why not just paint it a different color?  If you want more seating in your dining room, why not just build in some banquettes yourself with plywood and upholster them with some bargain fabric and a staple gun?

This book was the first one I read that really allowed me to think outside the box on decorating.  Suddenly I felt really free to try doing some weird stuff myself.  I used her idea for upholstering over the existing fabric on a chair. In a room I was redoing, I recovered the back cushion and seat cushion of a wing back chair I had, but left the wings, arms, and back alone. The fabric I used pulled together a number of colors and elements fabulously! 

In her book, Ms Phipps shows how to paint faux wood and marble, create "paneling" and use mirrors for fabulous effects.  She explains how to hang a grouping of odd objects on a wall and make it look balanced. She also gives all sorts of instructions from how to make tassels, to  how to upholster a room ( yes, a room!) and all in a very easy friendly text.There are a myriad of other decorating tips that I have found invaluable. I have used many of her ideas and techniques in my home as well as in dioramas.

I highly recommend this book for dioramists because it gives so many ideas that are even more usable in small scale rooms than in the human size rooms for which she intended them.  See if your local library owns copy or can order one.  It's well worth checking out!

My dad was the kind of guy who could build almost anything.  Although he was a pastor and had very little training in things like building, he had a natural gift for it. His mind just worked that way.  I told my mom once that I thought Dad should have gone to engineering school, but she said no, that it would have ruined his gift. That forcing his mind into a mold of how it should be done instead of allowing him to follow his instincts would have constricted his ability to just look at something and say "How could I do this?" instead of "How is this usually done?"  He did some really brilliant and innovative things.  (Dad's only real problem was the tendency to over do things.  If you owned a cottage on a lake and asked my dad to build you a little pier so you could tie up your rowboat,  when he was done you'd be able to dock the Queen Mary at it!!)

I realize that I have inherited some of this gift from my father.  I have a friend that buys tons of books on everything to see how she should do things.  I tend to plunge fearlessly (and sometimes stupidly) in to my projects with no idea what I'm doing, just making things up and learning as I go. Sometimes I find out later that that there really would have been an easier way to do something, other times I invent some brilliant and bizarre way to do things that maybe no one has done before.  I'm always open to suggestions, but since I'm working in mostly uncharted territory, no one else knows much more about it than I do.

A good case in point of how I did things the "wrong" way is the fountain I recently created for a diorama.  I used styrofoam and tile pieces to form the base, but then I ran up against the problem of grouting.  I thought it would be difficult and messy to grout between the tiles, plus the fountain base would weigh a ton.  I also wasn't too sure how well the grouting would stick to the styrofoam.  So, looking for a better solution, I opted for Play Dough.  I bought a couple of small cans of white Play Dough and filled in the cracks with that.  I loved how it looked, I didn't have to work with anything wet and messy or wait for it to dry to use it, and it is very light weight. I  got some eye-rolling from friends when I told them I was using Play Dough.  They said it would dry and crack, and I said that would make it look even more realistic since it was supposed to be several hundred years old.  Besides, I had fun doing it- I haven't played with Play dough in years!

One of the reasons  I adore reading how-to blogs and posts from other one sixth scale afficianados is because I get to see the innovative ways to do things that they come up with.  Sometimes I use their ideas or adapt them, sometimes I do it my own way instead.   But it's all fascinating.  After all, diorama making of this kind is still a relatively new phenomenon.  We are breaking new ground, going boldly where no man has gone before!  In ten years there will probably be a whole slew of craft book telling everyone the right way to build a diorama.  I'll still be in my basement, gluing my fingers together with the hot glue gun and trying to build something no one else has built before in one sixth scale!

There is a standing joke in my family about my way at looking at things.  It started when my daughter and I were in Nordstrom's one day and she walked over to see me examining an object.  She said, "Is that supposed to hold glasses?"  I looked at her and said, "It's a Barbie couch.  Don't be stupid."
We both cracked up laughing and now whenever the girls see me looking at something at a store or yard sale with a certain look in my eye, one of them says, "It's a Barbie couch.  Don't be stupid!"

I've been collecting one sixth scale furniture for longer than I care to admit, and I was always looking for things that looked like they might be used as Barbie objects, but once I was introduced to the world of dioramas several years ago, I started seeing Barbie items everywhere.  Boxes become footstools, napkin holders become benches, all sorts of things turn into side tables.  I actually see the world a little differently now because I'm seeing the possibilities everywhere.

I never thought of myself as a person who could do crafts.  I crocheted a little in High School and had to learn to knit for a play I was in.  (By the end of the rehearsals and performance, I had the world's longest scarf with all sorts of dropped and added stitches since I couldn't really perform and knit well at the same time.) I also did a little cross stitch when my daughters were young.  But I was never anyone who made potholders or cute handmade Christmas ornaments.

So it has surprised me that dioramas have brought out in me a creative side I didn't know existed.  When I look at things that might be Barbie objects, I now think in terms spray paint, hot glue, or cutting things with my Dremel tool, or how to paint an object to make it look it is made of marble.  For a very uncrafty person, I have also accumulated a huge amounts of trim, wooden craft pieces, paint, and box cutters. 

The truth is that my brain loves all this.  There is actually a small high off picking up some piece of junk for 49 cents at the Salvation Army and turning it into something I can use in a diorama.  I don't just mean having a wonderful object when I'm done.  I mean the creative burst that takes place in your brain when you see something that could be created and how to go about creating it.  I suppose any artist has known this for years, but for me, not being very artistic, it's a real rush.

It's kind of wonderful that I will never see the world quite the same again and that I can look forward to enjoying those exciting moments in the future.  Who ever would have thought playing with Barbies would get me here?

I had someone tell me once that I was living vicariously through my dolls.
Well, duh, obviously.
But if you think about it, I'm also living vicariously every time I pick up a novel, go to a movie, or watch a television series. 
Through those mediums, I have:
Watched the burning of Troy and Atlantis, flown with Superman,  been stranded on desert islands numerous times in numerous ages and survived, traveled to other planets, performed magic, performed surgery, and hidden  inside other people's heads listening to their thoughts and dreams.  I have loved living all those vicarious lives!

The fashion dolls introduced in the last half of the 20th century allowed a new way of living vicariously. Not only were they beautiful and had great clothes, but through them you could imagine yourself in numerous careers, drive hot sports cars, and be independent.  It was a great thing for a girl's imagination.

As an adult I'm still enjoying them and, yes, still living vicariously. Through them, I can experience the joy of a real silk gown, the luxury of an enormous bed covered in throw pillow and satin sheets. I can own rooms full of furniture and still have room to store it. For me one of the joys is vicariously being the designer I've always wanted to be.  And owning clothes I could neither afford nor fit in. I can enjoy careers, visit other countries, have the perfect Norman Rockwell celebration, all of it limited only by my own imagination. 

The mink pictured above was one my friend purchased when we were room shopping at the GAW convention.  It is soft and luxurious and the only mink either of us will probably ever own.  Lilith has allowed us to enjoy not only this diminutive piece of finery, but a chance to enjoy posing her for her Blackglama photo shoot.  Frankly, I've always loved those ads with their black and white photography and all those famous people draped in black mink. I've always wished it was me being photographed! 

I've also always wanted to own an antler chandelier.  Don't ask me why. One  of my latest projects was to make one for an upcoming diorama.  Now I can own it without having to figure out how to store it or whether it goes with my decor.

I am all about living vicariously.  "Had I but world enough and time", I'd love to experience everything I've read about or watched in a movie.  As it is, I'm grateful for all those vicarious experiences that have allowed me to enjoy much broader horizons.

So my daughter is cruising on the internet and she ends up in Google Images and decides to type in: one sixth scale house.  She wants to see if any pictures from my website turn up.  Sure enough, she spots a picture of mine.  This is the first one either of us has found, so she gets all excited and tells me, and I get all excited.  Then she clicks on the picture and instead of my website, it takes us to someplace completely different.  I realize that someone has stolen my picture!!

You hear about this sort of thing, but it was the first time it has happened to me. I was miffed to say the least.  I was hoping that they at least gave me credit somewhere, or a link, or something. The website was a rather odd one.  It appeared to be a search thing of some kind,  It said: Yahoo search results for one sixth, but was not a Yahoo address.  It had none of the things one usually looks for- Home, links, search, contact us.  Nothing.  Just a lot of pictures of one sixth scale things pulled from different websites, that had no links to anywhere else. 

I posted about this on the doll boards, asking for advice.  I got some responses that were helpful.  I found out that the whoever owned that site owned a whole lot more sites, many of which are questionable.  One person emailed me to say that when she tried clicking on things on the site, it tried to grab her files and she had to do a hard reboot to get rid of it. 
So now I'm wondering if it a site some hacker set up to infect computers with spyware or a virus. 

Anyway, now my picture is the very first one you see in Google Images if you type in: one sixth scale house- just as I'd always hoped!  But if you click on it, you won't end up here.  You'll end up somewhere odd and maybe dangerous for your computer

I adore technology and I buy as much as I can afford (which is never enough.)  Almost everything I have now works better than what I had 10 years ago- my laptop beats the old tower, my cell phone is half the size of my old one and does twice as much, DVD beats the heck out of VHS.  So why can't I become reconciled to my new digital cameras?  There are some things they do marvelously well- photographing and uploading instantly is fantastic for an instant gratification sort like myself.  I can't get enough of the retouch and special effects programs that go with them.
 
My problem is basically that I just can't get them to focus.  I miss my old Canon AE1.  It had an autofocus, which I sometimes used, but usually, especially for portraits, I did it the old fashioned way.  When I took my first photography class is portraiture, they taught us to always focus on the subjects eye, the one nearest you.  Now I'm photographing much tougher subjects- tiny people and little rooms, and I'm having a heck of a time getting the autofocus on any of  my digital cameras- I have 3 of them- to focus where I want them to.

As you can see from the picture above, my close ups, which I loved doing in the old days, tend to be somewhat blurred.  This is a constant frustration to me.  No amount of using tripods and timers seems to get the crisp, accurate pictures I would like
.
I've heard of a book, put out by FDQ I think, that is all about doll photography.  I would love have a look at it, but I'm afraid that the advice the author would give me if we met would be: buy a better camera!
I will probably end up spending the money to get a camera that will let me have more control of the focus and exposures.  I spend so much time in this little world I create, that my need to capture it will eventually overcome my reluctance to spend what will probably be a lot more money than I would like.  (Pretty much like everything else in Doll World!!) 

I'm going to go look up camera reviews now.  Wish me luck!

Sometimes when working on something, inspiration strikes a second time.  The inspiration for the Black and White Room was a "rug" I found at a sale.  It was actually a pillow cover in white, black, gray and a bright olive green.  The design called for a very contemporary room, so I started gathering everything I could find that fit the color scheme, beginning with the black and white chairs.  Gradually, as I began to add in objects, especially the spiral staircase my daughter, Katie, threw into the mix, I began to notice that nearly everything had curves, and inspiration struck again.  Curves became the secondary theme of the room.  I changed the couch I had been using for the curved back chaise lounge and added the piano.
 
I also decided to use the black grandfather clock for the height it added, but it brought a new color in.  The red actually added some excitement to the room that it needed, so I added more.  The first picture I tried was one I really like, (a tall thin print of a woman in a red coat which you can see in the first set of pics of the black and white room in the Gallery) but the details were too subtle, so I looked for other images, this time chosen not just for the color but to match the theme of curves that had developed.  I chose the picture of the curved staircase to reflect the spiral staircase next to it for a bit of whimsy.  The large painting was the piece that was supposed to pull together the color scheme, as it had all the colors of the room in it, but unfortunately, it didn't photograph well, so some of the impact was lost.
Altogether, the room proved very difficult to photograph.  All of the black objects in the room wanted to show up as simply black shapes.  I had to play with the brightness, midtones and contrasts and I still wasn't happy with how little detail shows.

Some of the small objects I add to a room never show or don't make it into the final cut when I am choosing what pictures to use.  One of my favorites in this room was the sheet music on the piano- Dave Brubeck's "Take Five."  I felt that whoever lived in this room would like jazz.  I tried, and rejected, several posters of the Brubeck quartet as possible wall art.

In the end I was pleased with the final result, but  my photography did not do it justice, partly because I accidentally shot it with the Macro setting on my digital camera turned on.  If doing a room like this over again, I would probably not use natural lighting again, but use lights I could better control.  Though I love natural light, and always prefer to use it, in this case, it didn't light as evenly as I would have liked, leaving the right side of the room a little in shadow and overexposing the left side and the mirror table.  The contrasts can be very effective, though, as in the picture of Poppy sitting on the couch.
I learned a lot from this room.  It didn't come out quite as I had pictured it, but it was, like all my doll rooms, a learning experience.

Time to break this one down and go on to the next one.  A thousand more rooms are dancing in my head!  One of these days I'll get one of them perfect! :-)